Symphony performs a rhapsody in blues

Saturday, February 12, 2000
By Stephen Cooke / Entertainment Reporter
CONCERT REVIEW
The Halifax Herald Limited

Hey hey, the blues is all right.

Not only is the blues all right, but as Friday's Symphony Nova Scotia concert proves, you can dress it up and take it anywhere. The show will be repeated tonight at the Rebecca Cohn Auditorium at 8 p.m. I don't know how many patrons in the audience pay regular visits to Bearly's House of Blues, or if they've ever traveled the dusty backroads of the Mississippi Delta, but if they were getting a lesson in the blues on Friday, you couldn't ask for better teachers than Dutch Mason, Matt Minglewood and Lisa MacDougall, while conductor/guitarist Scott Macmillan provides the perfect conduit between this rugged North American roots tradition and the refined sound of strings and winds.

The program began exactly where it ought to, with a medley by George Gershwin, the man who was one of the first to bring blue notes into concert halls. Songs like Don't Get Around Much Anymore and It Don't Mean a Thing if it Ain't Got That Swing sound good under almost any circumstances, but with an orchestra they're glorious.

Singer/songwriter MacDougall is finally earning her place in the spotlight after years spent on the road supporting artists like Rita MacNeil and Roger Whittaker, and it's about time. Her full-throated vocal on her upbeat soul tune Back Against the Wall was perfectly matched by a Janet Munson arrangement, while the silky strings underlined the pain in her slow and steady hurtin' song End of a Good Thing.

The symphony couldn't tame Minglewood's huge, red, hollow-bodied Gibson guitar, which he made howl and growl on the instrumental The Blues Again (inspired by the appearance of "TBA" in the program), and then coaxed moans from it for Darkest Shade of Blue. A raucous Long Way from Texas put an East Coast slant on things; what could be more Nova Scotian than a Minglewood classic arranged by Macmillan?

But it's Dutch Mason who wears the music most comfortably of all, like a favourite pair of slippers. Whether he's swinging through the Sinatra classic That's Life or making travel plans with Jimmy Reed's Goin' to Chicago, his natural feel makes him one of the best friends blues ever had. And when Mason, Minglewood and MacDougall sing together backed by Macmillan's "big swingin' band," it's sheer blues bliss.